The San Diego Museum Council annually prepares the city’s month-long promotion Museum for February, presented by Macy’s, this year.

The following Museums are participating for this annual San Diego’s Museum Month:

• Adobe Chapel Museum
• Barona Cultural Center & Museum
• Birch Aquarium at Scripps
• Bonita Museum & Cultural Center
• California Center for the Arts, Escondido
• Coronado Museum of History & Art
• Flying Leatherneck Aviation Museum
• Heritage of the Americas Museum
• La Jolla Historical Society
• LUX Art Institute
• Maritime Museum of San Diego
• Marston House
• Mingei International Museum
• Mingei International Museum North County
• Museum of Contemporary Art San Diego – Downtown
• Museum of Contemporary Art San Diego – La Jolla
• Museum of Making Music
• Museum of Photographic Arts
• Oceanside Museum of Art
• Old Town San Diego State Historic Park
• Reuben H. Fleet Science Center
• San Diego Air & Space Museum
• San Diego Archaeological Center
• San Diego Automotive Museum
• San Diego Botanic Gardens
• San Diego Children’s Discovery Museum
• San Diego History Center Museum, Library & Junipero Serra Museum
• San Diego Model Railroad Museum
• San Diego Museum of Art
• San Diego Museum of Man
• San Diego Natural History Museum
• The New Children’s Museum
• Tijuana Estuary Visitors Center
• Timken Museum of Art
• USS Midway Museum
• Veterans Museum & Memorial Center
• VisionsArt Museum
• Water Conservation Garden
• Whaley House Museum
• Women’s History Museum and Education Center

Along with its sheer physical beauty, its many other places to go and things to do—from shopping, dining, and its beaches—-San Diego’s has its own substantive and wide, and art and cultural infrastructure.

FromSan Diego’s iconic Museum of Photographic arts and its two San Diego Museums of Contemporary Art—downtown and inLa Jolla—San Diegomuseums offer exploration and education for a diverse interests. So now there are 40 new reasons to visit San Diegoalong with the other many fun and free things to do here.

” A Study Abroad Retrospective, Visual Tales from Eire and England, by Laguna College of Art and Design students.”

It’s one of the biggest parties in Laguna Beach as the city celebrates their  renowned First Thursday ArtWalk.

It’s a self-guided tour of gallery openings and museum receptions that starts as soon as the galleries open their doors to the public with special artist demos, exhibitions, music, dance and much more.

Bring a jacket and wear comfortable walking shoes, as you wind your way down Pacific Coast Highway.  There will be wine to sip and goodies for grazing too.

The tour starts at the North end of Pacific Coast Highway, just after you enter Laguna, goes down to the central business area on Forest Avenue, and then continues on down South Coast Highway. It’s an exhilarating walk filled with art!

Before you start, make sure to take a look at the Artwalk Gallery listings on the site. You’which ll find gallery sites that start on North Coast  Highway which also includes the Laguna Art Museum.

Next, there is the Central Downtown group on Forest Avenue  and finally, there are more galleries to be reviewed on South Coast Highway.  Check the Shuttle Map too for the trolley that is on hand throughout the evening.

Every time I go to this ArtWalk, I come home and put it on my calendar for next month.  If you can’t make this Thursday, pencil in one of the following dates: March 1, April 5, May 3, June 7, July 5, August 2, Sept. 6, Oct. 4, Nov. 1 and December 6. You’ll be pleased that you did.

Just one example from the many exhibitions and galleries is  Joanne Artman’s Gallery with America Martin’s solo exhibition. Martin is a Columbian-American fine artist based in Los Angeles.  Her third solo exhibition is appropriately named “Exuberance,”  capturing her amazing works of pure joy. Her favorite landscape is that of the human form which she celebrates with vigor in line and color.

Footnote:  The Laguna Art  Museum Annual  Auction 2012  is on this Saturday night, Feb. 4, from 6 to 9 p.m.

They’ll be hosting a fast paced live auction offering over 100 premier California artists’ works in an exciting silent auction.

Also, there will be sampling of cuisine from such well known local restaurants such as French 75 and Pelican Hill, select wines,  a live DJ with live art performances and an after party with dessert and cocktails which will complete this major museum fundraiser.

Street parking is available along Pacific Coast Highway in front of the galleries and the downtown parking structure is located at Glenneyre Street.

Welcome to Travelin’ Local’s Orange County round up of  Music, Arts, Sports, Children’s Programs, Community Events and more.

West Coast Premiere: Elemono Pea, South Coast Repertory,  Jan. 27 – Feb. 26  Playwright, Molly Smith Metzler, and Director, Marc Masterson, give you this keenly observed comedy about class, family and the choices that shape who we are. This runaway  hit is fast, furious and funny. Unfolding in real time, just after Labor Day  Martha’s Vineyard is emptying out, but you can still smell the expensive sun lotion, when the sisters of an absurdly rich New York ad man and a visiting blue collar family  from Buffalo collide.  Low price Previews Jan. 27 – Feb. 2. Opening night, Feb. 3. Reg. performances Feb. 4-26.  (Note – profanity and adult situations included.) Photos courtesy of South Coast Repertory.   South Coast Repertory, 655 Town Center Drive, Costa Mesa,CA

Come Fly Away, Twyla Tharp/Frank Sinatra, Segerstrom Hall, Jan. 31-Feb. 5
A new Broadway musical that brings together the legendary music of Frank Sinatra and the creative vision of Tony Award-winner Twyla Tharp (Movin’ Out). The seductive vocals of “Ol’ Blue Eyes” sizzle with the sound of a live 14-piece big band and the visceral thrill of Tharp’s choreography. As 15 of the world’s best dancers tell the story of four couples falling in and out of love, you will experience the exhilaration of a first kiss, the excitement of a first dance, and the bittersweet moments of a first good-bye.  Featuring  Sinatra classics: “Summer Wind,” “Fly Me to the Moon,” “My Way,” “New York, New York” and “I’ve Got the World on a String.” Segerstrom Hall, 715 Town Center Drive, Costa Mesa.

Monster Trucks  Hit Angel Stadium Sat., Jan. 28 and Sat. Feb. 11

Monster trucks will roar into Angel Stadium this Saturday. The total access pass activities go from 2to 3 pm. The Party in the Pits starts after that and at 7 pmthe high energy competition begins.  Angel Stadium, 2000 Gene Autry Way, Anaheim, CA.

Top Dog Underdog at the South Coast Repertory, runs through  Jan. 29.

This Pulitzer Prize drama  is an electrifying view of the gritty lives of two street savvy hustlers, Lincoln and Booth.  The New York Times calls it, “a thrilling comic drama….dazzlingly written!”  Bearing names of white men given to them by their father as a joke before he walked away,  the brothers never stop conning  suckers on the street and, ultimately, each other in this darkly funny drama of family grief and recovery.  South Coast Repertory, 655 Town Center Drive, Costa Mesa,CA

 Star Wars, Where Science Meets Imagination, Discovery Science Center, Santa Ana,  Runs now through April 15

Imagine humanoid robots translating languages, land speeders zooming down highways, and X-wing Starfighters guarding  the skies. Could these  Star Wars™ technologies  become  reality?  Find out in Discovery Science Center’s out-of-this-world exhibit, by Bose Corporation. Discovery Science Center, 2500 N. Main, Santa Ana, CA

Lonesome Traveler at Laguna Playhouse   Playing now thru Feb. 5

The Rubicon Theatre  Premiere Concert  is sparked with  “Tom Dooley,” “Goodnight Irene,” “Puff, the Magic Dragon” “Blowin’ in the Wind” and “This Land is Your Land.” .Lonesome Traveler  traces our roots   from the backwoods of Appalachia to the nightclubs of New York and San Francisco; from the mid 1920s to the mid 1960s. Among forty classics you will find your favorites. From “Michael Row the Boat Ashore,” to “Mr. Tamborine Man” to “Barbara Allen,”  come to enjoy.  Laguna Playhouse, 606 Laguna Canyon Rd., Laguna Beach

Bowers  Museum’s  Warriors, Tombs and Temples, China’s Enduring Legacy, runs now through March 4.  Following the extraordinary 2008 Exhibition, Terra Cotta Warriors: Guardians of China’s First Emperor, the Bowers Museum in Santa Ana partners with Houston Museum of Natural Science to show 200 newly discovered treasures from ancient Chinese tombs.   Debuting now in the U.S.,  these  ancient works of art come from  three dynasties of Chinese civilization. A priceless collection from  tombs that were built like homes for the daily rituals of the royal family and secrets of the silk road.   Bowers Museum,   2002 North Main Street, Santa Ana, CA

Roberta Flack and the Pacific Symphony at  Segerstrom Hall 2/9 – 2/11

Valentine’s Special, Grammy Award winner Roberta Flack visits the Pacific Symphony bring her Intoxicating ballads with: “The First Time Ever I Saw Your Face,” “Killing Me Softly with His Tongue,” and “Where is the Love” and more. Richard Kaufmann conducts. Segerstrom Hall, 715 Town Center Drive, Costa Mesa, CA.

Tokyo String Quartet at Sokia Performing Arts Center,  Aliso Viejo,  Feb. 9.

Known as one of the supreme chamber ensembles of the world, the Tokyo Strong Quartet was founded 40 years ago and has an international following.  They perform over a 100 concerts per season and are known for their critically acclaimed recordings and teaching record.  Sokia Performing Arts Theater, University Drive, Aliso Viejo.

Newport Beach Jazz Party at the Newport Mariott, Feb. 16-19

President’s Day Weekend  is a four-day festival of “Right Down the Middle and Straight Ahead” jazz  with  big bands and duos, playing everything from Ellington to Sinatra. Stars include John Pizzarelli (Thursday) and Frank Sinatra, Jr. (Sunday). The Newport Mariott Hotel and Spa, 900 Newport Center Drive, Newport, CA

Surfcity USA Marathon, Huntington Beach, Feb. 5

California’s Classic Oceanfront Marathon runs on Pacific Coast Highwaypast the Huntington Beach pier and through  legendary surfing beaches. The Surf City USA® Marathon includes the Free Wheelchair Mission 7th annual Run for Mobility, as runners raise funds to send wheelchairs to people in need around the world. Retro surf bands entertain with a Finish Line Festival  beach side beer garden.

Cinderella Les Ballets De  Monte Carlo at Segerstrom Hall, Feb. 9 – 12

Sophisticated interpretation of this classic  fairy tale romance , choreographed by Jean-Christopher Maillot.  Exclusive West Coast engagement and Center premiere.  Segerstrom Hall, 715 Town Center Drive, Costa Mesa.

Laguna Art  Museum Annual  Auction 2012  – Feb. 4

From 6 to 9 p.m., a fast paced live auction will offer over 100 premier California artists’ works in an exciting silent auction. Sampling of cuisine from known local restaurants such as French 75 and Pelican Hill, select wines,  a live DJ with live art performances and an afterparty of desserts and cocktails will complete this major museum fundraiser.

100 Years of Paramount Pictures

January 26

For the next five months, on the last Thursday of each month, Film Independent at LACMA invites you to a celebration of the 100th anniversary of Paramount Pictures that will include a double feature of movies chosen from the studio’s archives. To kick off the Paramount Pictures’ centenary, the focus is on a pair of comedies created by the films’ female stars—women whose unique timing and specific approach to sexuality in film is groundbreaking for very different reasons. The first film is the unique and rarely revived A New Leaf, the 1971 directorial debut of Elaine May. In this odd and defiantly sweet take on a comedy of manners, Walter Matthau stars as Henry, a high-living player who has run through his entire fortune. This rake’s idea of progress is to seduce and marry the peculiar botanist and heiress, Henrietta (May). May’s film garnered her a WGA award for its script. In the second half of this bill, the seduction is on the other foot—that is, the slipper. In the 1933 comedy She Done Him Wrong, Mae West helped adapt the successful Broadway sex farce, “Diamond Lil” (which she wrote) that made her infamous. Speedy and hilarious, the 1890-set Wrong follows Lou (West) as she cuts a swath of larceny and lasciviousness through the Bowery, and her targets include a younger actor in his second role with his new stage name: Cary Grant.

7:30pm

A New Leaf

1971/color/102 min./digital

Scr / Dir. Elaine May; with Elaine May, Walter Matthau, George Rose and James Coco

9:15 (approximate start time)

She Done Him Wrong

1933/black & white/ 66 min.

Scr. Mae West / dir. Lowell Sherman; with Mae West, Cary Grant and Owen Moore

$7 for LACMA members

$5 for Film Independent, LACMA Film Club, and New York Times Film Club members.
Members of these groups will be required to show proof of membership when retrieving their tickets.

Tickets available to members Thursday, December 15 at 5 pm | Tickets available to the public Thursday, December 22 at 5 pm

Film Independent – History – About

The seeds for what would grow to be Film Independent were planted in 1981 when Gregory Nava and a small band of directors, writers, and producers began gathering regularly to share creative ideas and discuss ways to increase resources for independent filmmakers.

The non-profit member driven organization Independent Feature Project (IFP)/West soon emerged from these meetings with the mission to cultivate the careers of independent filmmakers, build larger audiences for independent film, and champion diversity in the entertainment industry. National recognition quickly followed when the organization took on production of the Independent Spirit Awards in the late 1980s and assumed ownership of the Los Angeles Film Festival in the year 2000.  In time, IFP/West would become IFP/Los Angeles and in 2005 it took on the name Film Independent—a more accurate banner for the spectrum of services the organization had expanded to include.

Today, Film Independent remains a collective of filmmakers, industry professionals, and film lovers, but encompasses a broad community of individuals who appreciate and sustain artist-driven filmmaking.  Film independent empowers filmmakers to tell their own stories, in their own voices and provides a support system in which their work can be appreciated.

Be independent. Not alone. Click here or call 310.432.1231 for information on becoming part of the Film Independent community.

Plenty! And you’ll find it all right here,  plus new February events.   Welcome to Travelin’ Local’s round up of  Music, Arts, Sports, Children’s Programs, Community Events and more.

Lonesome Traveler at Laguna Playhouse   Playing now thru Feb. 5

The Rubicon Theatre  Premiere Concert  is sparked with  “Tom Dooley,” “Goodnight Irene,” “Puff, the Magic Dragon” “Blowin’ in the Wind” and “This Land is Your Land.” .Lonesome Traveler  traces our roots   from the backwoods of Appalachia to the nightclubs of New York and San Francisco; from the mid 1920s to the mid 1960s. Among forty classics you will find your favorites. From “Michael Row the Boat Ashore,” to “Mr. Tamborine Man” to “Barbara Allen,”  come to enjoy.  Laguna Playhouse, 606 Laguna Canyon Rd., Laguna Beach

Bill Maher, Irvine Improv, Sunday, January 22

Known for his political satire, Bill Maher is an American stand-up comedian, TV host, social critic an author. He targets religion, politics, bureaucracies, mass media, greed and people in positions of power.  Don’t miss  this evening with Maher.  Irvine Improv, 71 Fortune Drive, #841, Irvine.

LaLaLa Human Steps Irvine Barclay, Thursday Jan. 26

The U.S. premiere of a new work from Montreal, Canada. Edouard Lock’s latest major work, The New Work, is inspired by classic love stories, Dido and Agneas, and Orfeo and Eurydice, re-envisioned with lightning fast spins in hyper dynamic choreography. The Irvine Barclay Theater, 4242 Campus Drive, Irvine, CA

Bowers  Museum’s  Warriors, Tombs and Temples, China’s Enduring Legacy, runs now through March 4. 

Following the extraordinary 2008 Exhibition, Terra Cotta Warriors: Guardians of China’s First Emperor, the Bowers Museum in Santa Ana partners with Houston Museum of Natural Science to show 200 newly discovered treasures from ancient Chinese tombs.   Debuting now in the U.S.,  these  ancient works of art come from  three dynasties of Chinese civilization. A priceless collection from  tombs that were built like homes for the daily rituals of the royal family and secrets of the silk road.   Bowers Museum,   2002 North Main Street, Santa Ana, CA

Top Dog Underdog at the South Coast Repertory, runs through  Jan. 29.

This Pulitzer Prize drama  is an electrifying view of the gritty lives of two street savvy hustlers, Lincoln and Booth.  The New York Times calls it, “a thrilling comic drama….dazzlingly written!”  Bearing names of white men given to them by their father as a joke before he walked away,  the brothers never stop conning  suckers on the street and, ultimately, each other in this darkly funny drama of family grief and recovery.  South Coast Repertory, 655 Town Center Drive, Costa Mesa,CA

Tokyo String Quartet at Sokia Performing Arts Center, Aliso Viejo,  Feb. 9.

Known as one of the supreme chamber ensembles of the world, the Tokyo Strong Quartet was founded 40 years ago and has an international following.  They perform over a 100 concerts per season and are known for their critically acclaimed recordings and teaching record. Sokia Performing Arts Theater, University Drive, Aliso Viejo.

Newport Beach Jazz Party at the Newport Mariott, Feb. 16-19

President’s Day Weekend  is a four-day festival of “Right Down the Middle and Straight Ahead” jazz  with  big bands and duos, playing everything from Ellington to Sinatra. Stars include John Pizzarelli (Thursday) and Frank Sinatra, Jr. (Sunday). The Newport Mariott Hotel and Spa, 900 Newport Center Drive, Newport, CA

Star Wars, Where Science Meets Imagination, Discovery Science Center, Santa Ana,  Runs through April 15

Imagine humanoid robots translating languages, land speeders zooming down highways, and X-wing Starfighters guarding  the skies. Could these  Star Wars™ technologies  become  reality?  Find out in Discovery Science Center’s out-of-this-world exhibit, by Bose Corporation.

Discovery Science Center, 2500 N. Main, Santa Ana, CA

Surfcity USA Marathon, Huntington Beach, Feb. 5

California’s Classic Oceanfront Marathon runs on Pacific Coast Highway past the Huntington Beach pier and through  legendary surfing beaches. The Surf City USA® Marathon includes the Free Wheelchair Mission 7th annual Run for Mobility as runners raise funds to send wheelchairs to people in need around the world.. Retro surf bands entertain with a Finish Line Festival  beach side beer garden.

Crystal Cove State Park’s January Tours.  Explore tide pools, learn about geology and gray whales and visit the 12 acre historic district of famed cottages.  The whole month is full of special guided tours. Crystal Cove State Park, 8471  N. Coast Highway, Laguna Beach.

Cinderella Les Ballets De  Monte Carlo at Segerstrom Hall, Feb. 9 – 12

Sophisticated interpretation of this classic  fairy tale romance , choreographed by Jean-Christopher Maillot.  Exclusive West Coast engagement and Center premiere.  Segerstrom Hall, 715 Town Center Drive, Costa Mesa.

Laguna Art  Museum Annual  Auction 2012  – Feb. 4

From 6 to 9 p.m., a fast paced live auction will offer over 100 premier California artists’ works in an exciting silent auction. Sampling of cuisine from known local restaurants such as French 75 and Pelican Hill, select wines,  a live DJ with live art performances and an afterparty of desserts and cocktails will complete this major museum fundraiser.

Bowers Museum’s Warriors, Tombs and Temples, China’s Enduring Legacy, runs now through March 4th. Following the extraordinary 2008 Exhibition, Terra Cotta Warriors: Guardians of China’s First Emperor, the Bowers Museum in Santa Ana partners with Houston Museum of Natural Science to show 200 newly discovered treasures from ancient Chinese tombs. Debuting now in the U.S., these ancient works of art come from three dynasties of Chinese civilization. Many have been unearthed from imperial, royal and elite tombs and from ancient Buddhist monasteries near the modern city of Xi’an in Shaanxi Province. A priceless collection from tombs that were built like homes for the daily rituals of the royal family and secrets of the Silk Road. Bowers Museum, 2002 North Main Street, Santa Ana, CA

Top Dog Underdog at the South Coast Repertory, runs through January 29th

This Pulitzer Prize drama is an electrifying view of the gritty lives of two street savvy hustlers, Lincoln and Booth. The New York Times calls it, “a thrilling comic drama….dazzlingly written!”  Bearing names of white men given to them by their father as a joke before he walked away, the brothers never stop conning suckers on the street and, ultimately, each other in this darkly funny drama of family grief and recovery. South Coast Repertory, 655 Town Center Drive, Costa Mesa,CA

Newport Beach Jazz Party at the Newport Mariott, February 16th-19th

President’s Day Weekend is a four-day festival of “Right Down the Middle and Straight Ahead” jazz with big bands and duos, playing everything from Ellington to Sinatra. Stars include John Pizzarelli (Thursday) and Frank Sinatra, Jr. (Sunday). The Newport Mariott Hotel and Spa, 900 Newport Center Drive, Newport, CA

Star Wars, Where Science Meets Imagination, Discovery Science Center, Santa Ana, Runs through April 15th

Imagine humanoid robots translating languages, land speeders zooming down highways, and X-wing Starfighters guarding the skies. Could these Star Wars™ technologies become reality? Find out in Discovery Science Center’s out-of-this-world exhibit, by Bose Corporation.

Discovery Science Center, 2500 N. Main, Santa Ana, CA

Surfcity USA Marathon, Huntington Beach, February 5th

California’s Classic Oceanfront Marathon runs on Pacific Coast Highway past the Huntington Beach pier and through legendary surfing beaches. The Surf City USA® Marathon includes the Free Wheelchair Mission 7th annual Run for Mobility as runners raise funds to send wheelchairs to people in need around the world.. Retro surf bands entertain with a Finish Line Festival beach side beer garden.

Crystal Cove State Park’s January Tours. Explore tide pools, learn about geology and gray whales and visit the 12 acre historic district of famed cottages. The whole month is full of special guided tours. Crystal Cove State Park, 8471 N. Coast Highway, Laguna Beach.

Cats, Segerstrom Hall, January 17th-22th

Introduce your family to live theater with the magic and mystery of Cats. What began as a musical about cats after Andrew Lloyd Webber picked up a book of poems in an airport bookshop has become one of the longest running shows in Broadway’s history. Winner of seven Tony Awards including Best Musical, Segerstrom Hall, 615 Town Center Drive, Costa Mesa, CA

Lonesome Traveler at Laguna Playhouse Runs thru February 5th

The Rubicon Theatre Premiere Concert is sparked with “Tom Dooley,” “Goodnight Irene,” “Puff, the Magic Dragon” “Blowin’ in the Wind” and “This Land is Your Land.” .Lonesome Traveler traces our roots from the backwoods of Appalachia to the nightclubs of New York and San Francisco; from the mid 1920s to the mid 1960s. Laguna Playhouse, 606 Laguna Canyon Rd., Laguna Beach

Cinderella Les Ballets De Monte Carlo at Segerstrom Hall, February 9th – 12th

Sophisticated interpretation of this classic fairy tale romance , choreographed by Jean-Christopher Maillot. Exclusive West Coast engagement and Center premiere. Segerstrom Hall, 715 Town Center Drive, Costa Mesa

Laguna Art Museum Annual Auction 2012 – February 4th

From 6 to 9 p.m., a fast paced live auction will offer over 100 premier California artists’ works in an exciting silent auction. Sampling of cuisine from known local restaurants such as French 75 and Pelican Hill, select wines, a live DJ with live art performances and an after party of desserts and cocktails will complete this major museum fundraiser.

Special Foodie tip: New Umami Burgers coming to Anaheim Brewery, 336 St. Anaheim Blvd. and 610 N. Coast Highway in Laguna Beach. Umami’s fifth taste burgers are rated among the best in Southern California. Secret? They grind their own beef and pickle their own veggies.

The Fowler Museum explores global arts and cultures with an emphasis on works from Africa, Asia, the Pacific, and the Americas, past and present. The Fowler enhances understanding and appreciation of the diverse peoples, cultures, and religions of the world through dynamic exhibitions, publications, and public programs, informed by interdisciplinary approaches and the perspectives of the cultures represented. The Fowler provides exciting and informative exhibitions and events for the UCLA community and the people of greater Los Angeles and beyond.

Their current exhibitions include:

- Exhibition Info

- Pacific Standard Time

- Closing Weekend Festivities (January 6-8 2012)

In conjunction with the Getty’s now world famous city wide exhibition, Pacific Standard Time, The Hammer Museum is presenting the show: Now Dig This! Art and Black Los Angeles 1960-1980

This comprehensive exhibition examines the incredibly vital but often overlooked legacy of Los Angeles’s African American visual artists, featuring works from public and private collections located across the country, some of which have not been seen for decades and were previously considered lost.

Now Dig This! will feature artists including Melvin Edwards, Fred Eversley, David Hammons, Maren Hassinger, Senga Nengudi, John Outterbridge, Alonzo Davis, Dale Brockman Davis, Noah Purifoy, Betye Saar, and Charles White, displaying their artistic progeny for putative perpendicular happenings to bring forth all donnections among individuals and groups of different ethnic origins.

This multicultural ([Ed.Note] Oh lord, component will bring to light a significant network of friendships and collaborations across racial lines, while underscoring the influence that African American artists had on the era’s larger movements and trends. [Ed.Note] Skip the last paragraph–it means nothing.

[Ed.Note] Why do curators and Museums have to “break down” their art exhibitions into ethnic, cultural, and racial lines? It’s almost as if they’re perpetuating the inherent institutional bias that’s been so prevalent in our society–and the world–for a very long time and a day. I can just hear it now:

“Oh so you’re a black avante grade Artist!” and other such nonsense—Hmm, Art is Art is Art.

This comprehensive exhibition examines the incredibly vital but often overlooked legacy of Los Angeles’s African American visual artists, featuring works from public and private collections located across the country, some of which have not been seen for decades and were previously considered lost.

Now Dig This! will feature artists including Melvin Edwards, Fred Eversley, David Hammons, Maren Hassinger, Senga Nengudi, John Outterbridge, Alonzo Davis, Dale Brockman Davis, Noah Purifoy, Betye Saar, and Charles White, presenting their creative output alongside parallel developments and teasing out the connections among individuals and groups of different ethnic origins.

This multicultural component will bring to light a significant network of friendships and collaborations across racial lines, while underscoring the influence that African American artists had on the era’s larger movements and trends.

EVENTS

10/02/2011
11:00 am – 5:00 pm

Museum Free Day Through the generosity of Bank of America, the Hammer Museum is pleased to offer complimentary museum admission on Sunday, October 2 to celebrate the opening of Now Dig This! Art & Black Los Angeles.

10/02/2011
1:00 pm – 2:00 pm

Exhibition Walkthrough with Curator Kellie Jones Exhibition Walkthrough with Curator Kellie Jones.

10/02/2011
2:00 pm – 4:00 pm

Opening Day Performance: KISS Now Dig This! artists Senga Nengudi and Maren Hassinger perform a collaborative project with Ulysses Jenkins in which they reimagine their works.In conjunction with the exhibition Now Dig This!

10/05/2011
7:00 pm – 9:00 pm

Twenty Twenty Roger Guenveur Smith and Marc Anthony Thompson premiere Twenty Twenty, their new multimedia performance about black music created and fostered in L.A. from 1960 to 1980. Smith and Thompson are.

11/01/2011
7:00 pm – 9:00 pm

Constant Elevation Renowned poets Jayne Cortez and Kamau Daaood are joined by emerging L.A. poets Thea Monyee and Javon Johnson for an evening celebrating the art of the spoken word. Hosted by Shihan Van.

11/13/2011
3:00 pm – 5:00 pm

High Voltage: The Watts Legacy Co-presented with the Ralph J. Bunche Center for African American Studies at UCLA Dr. Darnell Hunt, director of the Ralph J. Bunche Center for African American Studies at UCLA, moderates.

11/15/2011
7:00 pm – 9:00 pm

Taste and Style Just Aren’t Enough Gallerist Alonzo Davis, and collectors Vaughn Payne and Joy Simmons join curator Franklin Sirmans and art historian Karin Higa.

James Hayward’s “Automatic” paintings occupy their own inimitable niche within the world of monochromes, a convenient demarcation (like all demarcations) that obscures the mutating, outbound threads that belie it. It entails his “hand” but also its method of guidance—or lack thereof: Hayward painted the monochromes “automatically”, yet reveal no evidence of this or the brush itself. Automatism served as the perfect foil to suspend analysis by disconnecting the arm and wrist from his brain’s frontal lobe. Unlike previous incarnations of automatism, which saw the subconscious as the primary force, Hayward’s brand bordered on Dadaist gesture for its remarkable self-abnegation. He worked in exhaustive sessions, obsessively layering acrylic paint wet-on-wet, only to dry-brush the topmost layer, eliminating all traces of the process. At least temporarily, he suspended brush mark codes foisted by history, sometimes even reinforcing the suspension by working in the dark. He repetitively applied the layers methodically and impulsively, his brush guided within an imaginary grid. This process would take up to 3 years before a painting was finished, at which point he decided it contained the optimum amount of energy and chromatic density that could sustain meditative viewing—and to such a limit that the object-subject distinction was blurred, thus making the painting ever-present, subtly reactive to ever-changing perceptual conditions. Flatly uneconomical, and uncompromising, Hayward might ascribe, if obliquely, to the William Blake dictum “The road of excess leads to the palace of wisdom”.

But how does one reconcile these works with Hayward’s “Visionary School” paintings? These acidic, aggressively optical works, however tethered to the aesthetics of the late 1960’s and early 1970’s, retained working principles that Hayward would employ from his “satori” moment and thereon. Hayward had made literal use of the grid in works such as Breakfast of Epiphanies, which was later subsumed within the “Automatic” paintings as a circuitous roadmap for the arm. The lapidary lines of the drawings, (studies for the unfinished Salome Won’t You Please Come Home) rendered in marker in the specific order of yellow, pink, blue, and black, a process pioneered by the mysterious Venetian master Giorgione, also fed into Hayward’s mixing process for the tri-fold of blacks (red-black, blue-black, yellow-black) he used in Vicky Died Today in 1975. But the “satori” moment that binds these two bodies of work also contains a cultural bellwether, an unconscious a smack of resistance to the forces of aesthetic commoditization and excess that degenerated movements like “The Visionary School”. Hayward was not concerned with denying himself the excesses of color and surface he enjoyed, but employing them to the limit of everything and nothing. In doing so, he found a new proposition. While it shares concerns with his East coast brethren like Robert Ryman and Brice Marden, or to those in the West like John McCracken, it primarily comprised concerns of his own that could only be translated physically and optically. This is why experiencing a Hayward “Automatic” is wholly unique and can only be experienced in person. He remained (and still does) on his own path. “Moths do not follow moths”, Hayward has said, “they seek the flame”, connoting that overlaps with contemporaries are incidental, and that his work’s uniqueness lies in his peculiar methods and focus on particular chromatic phenomena, which always shift depending on where you stand.

James Hayward has been included in numerous exhibitions in Los Angeles and abroad. He is currently included in Under the Black Sun at the Museum of Contemporary Art, Los Angeles and recently held a survey exhibition of painting from 1972 to 2011 at R.B. Stevenson Gallery, La Jolla, California. James Hayward lives and works in Moorpark, California.

On display at the Richard Telles Gallery DECEMBER 10, 2011 – JANUARY 14, 2012

How do I win a free ticket?

Remember this is all done in good faith and in the spirit of good will. And who doesn’t like free stuff!! So the only requirement is for you to write an essay about why Art is Important in your life and why art is so important in everyday life.

All entries will be shared and a select few will make the determination. However, we will share all entries with the entire FaceBook community.

And that’s it! The winning entrants will receive one free ticket to attend this exciting and world class Museum, that has many exhibits, shows, workshops, lectures, and symposia.

The Palm Springs Art Museum strives to serve diverse communities as one of the outstanding mid-size art museums in the country. Its mission is to promote enjoyment, education and involvement with visual art of the highest quality, and enhance appreciation of the performing arts. By collecting, preserving, exhibiting, and interpreting art from a broad chronological and geographic range according to the highest professional standards, and presenting a varied program of performing art, the museum seeks to maximize its public service to audiences of all ages and social backgrounds and to make art a dynamic part of their lives.

Today is no exception.

In fact, 48 different exhibits are taking place on December 5^th 2011.

One of the PST venues this month is featuring PEACE PRESS GRAPHICS 1967-1987: Art in the Pursuit of Social Change.

It’s an Exhibition and survey of the press’ work and their connections to various artists collectives of their time.

You may view it at the University Art Museum, California State University, Long Beach.

Located on the campus of California State University in Long Beach, the University Art Museum (UAM) began as a significant campus gallery in 1973 and was accredited by the American Association of Museums in 1984.

As with many university facilities, UAM faced a series of major budget cut-backs in 1989. However, UAM remained steadfast and by 1993, the university recognized the need for a new museum facility.

And the CSU Trustees came through with a vote to include a new museum as part of their capital improvement programs for that year. By combining funds from the CSU Chancellor’s office with a lead gift from a local philanthropist, the UAM was able to celebrate its grand opening in a new space in 1994.

Ranked among the top 10% of our Nation’s museums, UAM regularly offers concerts, gallery talks, lectures, and tours which are offered to both the campus and the community.

With a Mission statement that reads:

to present education and exhibitions programs that blur the boundaries between visual arts and design, technology, music, and contemporary culture. The University Art Museum provides a forum for the investigation of contemporary visual culture and seeks to transform the traditional art museum experience, from the ordinary to the extraordinary and personal.

UAM should definitely be on your list for Pacific Standard Time exhibition attendance. But hurry, the PEACE PRESS GRAPHICS 1967-1987: Art in the Pursuit of Social Change ends on December 11^th.

The University Art Museum is located on the campus of the California State University at 1250 Bellflower Boulevard in Long Beach. Admission is free to UAM members and CSULB students, faculty and staff, and the general public is $4.00, plus metered parking is available in Lot 17.

As you thread your way down PCH, the views are amazing, and over a hundred art galleries, restaurants, and fashion boutiques are all within easy walking distance. Parking can be a challenge. But there are free public lots available in the heart of town, and anybody who visits more than once quickly figures out parking solutions.

Luxury hotels like the Montage, and classic spots like Hotel Laguna attract Hollywood’s brightest.

Justin Bieber shows up with some frequency at the Montage, as does Harrison Ford. Warren Buffet, Jennifer Aniston and Diane Keaton have all owned ocean view property here along with many other celebrities. New movies frequently film on Laguna’s seven miles of spectacular bluffs and beaches.

Oliver Stone’s Savages, began shooting here about a month ago with John Travolta and Uma Thurman starring in this soon to be released drug cartel story.

The Laguna Beach Art Museum leads a once a month Thursday ArtWalk, as prime galleries open their doors, with special showings and wine and cheese. The Laguna ArtWalk is a great way to get to know Laguna, meet the locals and feel the pulse of a city that lives its art.

Moving on to fashion, Laguna offers one of the most intriguing collection of fashion boutiques and specialty shops in O.C. Forest Avenue is the hub with classics like Louise’s Place, while Tommy Bahama’s Bar and Grill let’s guys simultaneously sample the island lifestyle in food, drink and fashion.

Dan Miller Fine Jewelry heads up a long line of outstanding jewelers based in Laguna. Anastasia, is one of the many avant garde boutiques that will persuade you that this is all justifiable. The Black Flamingo, Envy and Muse are musts too.

EuroPapi has the final word in motorcycle streetwear. Toes on the Nose, Thalia Surf Shop, Hobies and Laguna Surf and Sportswear are just a few of the many surf and watersport shops here. Many of the shops offer pro surfing lessons and water equipment rentals. Ice cream, cupcakes, gelato and candy shops also abound to keep your shopping fueled.

Laguna Canyon is a whole different matter:

Laguna Culinary Arts offers gourmet treats and wine tasting. They share the canyon with the Laguna College of Art and Design and the Laguna Wilderness Preserve. If you love fossils, museum sized crystal, and rare stones, Crystal Image is a cool find. Crystal Image has the market covered with rare crystals and minerals priced from $15 to $25,000, and up. The sizes offered range from a few ounces to thousands of pounds! Just wondering through their showrooms is an adventure.

Artists with glassblowing, welding and painting studios populate the canyon and supply the annual Sawdust Festival and Winter Fantasy festival with stunning pieces of art. The glass blowing is fascinating to watch and even more fantastic to own.

When you are shopped out, nearby cafes and restaurants unfurl savory menus. The Sun Dried Tomato, Zinc Café & Market, a vegetarian find, and Rock’nFish restaurants are typical top flight choices.

If you so happen to have a golfer tagging along, Aliso Creek Golf Course and Inn makes the south end of Laguna worth a visit. Drive back into the canyon for golf, lunch or a memorable dinner.

Summary of a day in Laguna:

To be sure, you will come away with some very special finds. You’ll have an exhilarating time. nd the food here is always superb, along with Laguna Beach’s vistas, beaches and alcoves, as well as its one-of-a-kind surroundings amazing.

And PS, it will definitely not be just another day here–Laguna Beach never is.

For those that haven’t yet it’s the new art exhibit that’s garnering a lot of attention right here right now in Los Angeles.

On exhibition for over 6 months, Pacific Standard Time, is made possible with $10 million in grants from the Getty, plus a few major corporate sponsorships; it will host close to 170 separate exhibitions at 130 museums and galleries.

Practically every major and many minor art museums from Santa Barbara to San Diego is participating in Pacific Standard Time.

Pacific Standard Time: Art in L.A. 1945-1980 is an unprecedented collaboration of cultural institutions across Southern California coming together to celebrate the birth of the L.A. art scene. Beginning October 2011, over 60 cultural institutions will make their contributions to this region-wide initiative encompassing every major L.A. art movement from 1945 to 1980. Celebrate the era that continues to inspire the world.

Los Angeles is fortunate to be home to many superb museums, each one having their own iconic and unique special features.

From the smallest to the largest venue, each museum will provide the public a fresh perspective about our local art, artists, art world and all its history–past and present.

For many Los Angeles artists and critics, Pacific Standard Time, is a long-needed accounting of the emergence of the region as an art capital in the same league as New York, Berlin and London. Source: NY Times

To both honor and feature some of Pacific Standard Time’s exhibits, Travelin’ Local will feature a new museum every Monday.

Starting next week with the Craft and Folk Art Museum, we’ll let you know abut all the shows and events at each museum.

To add to your viewing pleasure, Travelin’ Local will help you to further celebrate our city’s artistic greatness.

Enjoy the show.

A local artist, Jorg Dubin, melds reflection alongside respect with his sculpture that has two steel beams salvaged from the debris of 2011. Appropriately, the 8 foot tall beams are in their 9/11 corroded state, and great chunks of concrete are bonded onto their surfaces.

Dubin positioned the beams in perhaps the the exact way they were found, upright after the day that shall live in infamy; at an angle and supporting each other. They are installed on a five sided base representing the Pentagon. A polished stainless steel ball symbolizes the world, while a planter box reminds the observer of the Pennsylvania field where Flight 93 crashed in the 2001 tragedy.

The beams were donated to the City of Laguna Beach from the New York and New Jersey Port Authorities respectively. Their transportation and installation was funded by a donation from Laguna Beach resident, Mark Porterfield.

The City Council of Laguna Beach, unanimously commissioned Dubin to create his sculpture. In his application for the commission, Dubin described his viewpoint:

This is not a Jorg Dubin sculpture: rather it pays homage to the memory of an event. A place for individual reflection, quietly understated, yet powerful in its symbolism and juxtaposition of materials.

Reflecting on his mission, Dubin quotes T.S. Eliot:

And so each venture is a new beginning, a raid on the inarticulate, with shabby equipment always deteriorating in the general mess of imprecision of feeling, undisciplined squads of emotion. And what there is to conquer by strength and submission has already been discovered once or twice, or several times, by men whom one cannot hope to emulate- but there is no competition- there is only the fight to recover what has been lost and found and lost again and again: and now, under conditions that seem unpropitious. But perhaps neither gain nor loss.

For us, there is only the trying. The rest is not our business………..

Monument Point in Heisler Park is an easy walk down from Cliff Street. Metered parking is available on the street.

The Rodin Exhibit, at the Laguna College of Art and Design.

I was there during the week recently and it was a delight to visit the college and also enjoy viewing their newly installed Rodin exhibit. Their statues are indeed smaller; but no less dramatic than the other famed works of Rodin himself–including “The Thinker” and “The Kiss.”

Auguste Rodin was regarded as the greatest sculptor since Michelangelo. He refused to idealize his models and sought to mirror truth in the realism of his figures.

Appearing for the first time in Orange County, this collection of 14 Rodin sculptures is on loan from the Iris and B. Gerald Cantor Foundation. The Cantors have the world’s largest private Rodin collection. They have donated pieces to many leading museums and have some 750 pieces of Rodin’s work.

Commemorating the college’s 50^th anniversary, the exhibit features “The Benedictions,” which depicts two winged figures in a passionate embrace, and “Dance Movement D,” a stunning display of a young woman holding up one leg in the midst of her dance.

Rodin believed in isolating individual parts of the body, leaving torsos without arms or only a part of a leg; and this philosophy appears in the collection as well.

The lost wax display is also included in the Laguna Art and Design Rodin exhibit. It explains the lengthy and time consuming process that Rodin and other artists used to create their sculptures using this process to form their artwork.

Starting with the original sculpture in plaster, clay, wood or stone, the piece is then coated to protect it and then its wrapped in an elastic material and ensconced into a mold. This is subsequently followed by several more intricate steps culminating toward the final bronzed sculpture.

Rodin was born in 1840 and died in 1917. In his will he left his works to the French government, giving Musee Rodin the right to cast his sculptures posthumously. At his request, his famous sculpture–”The Thinker,”–stands by his tomb in Meudon.

The Laguna College of Art and Design, 2222 Laguna Canyon Road, is only one of three colleges in the U.S. that offer figurative drawing, painting and sculpture. While you’re there you might want to enjoy touring the faculty and student galleries also.

The Rodin exhibit is free and open daily, 11:00am to 5:00pm, Monday through Friday. The exhibit runs until September 23^rd.

If you’re in the canyon for the festivals, or just happen to be close enough to visit this exhibit–it’s viewing pleasure is more than well worth your time.

Among Hopper’s images and pictures, included are Los Angeles’ vast urban landscape as well as photographs of movie sets, gallery openings, and his co-stars including Paul Newman, and a myriad of co-artists that he considered part of his peer network.

Hopper came as a pioneering free spirit to live in Los Angeles, because he moved here from Kansas, making him part of Hollywood lore as a gifted actor that led to his storied life–one that blessed Dennis with boundless enthusiasm, dynamism and energy–and most importantly—one that embraced him as much as he embraced it.

Therefore, we come to see Hopper’s ongoing veduta motif–that he instinctively viewed LA as larger than life (both literally and psychologically); and because of that we also come to understand Hopper’s artistic and stylistic leanings–he saw Los Angeles as a living atavistic organism to be remembered on his camera’s film silver gelatin; making it transparent–so that we can easily see Hopper’s benevolent and warm heart toward his surroundings—art imitating life.

Interestingly, his friend, Painter Ed Ruscha’s images, are reflective of Hopper’s emotional interpretation of our urban landscape here.

From the beginning, Hopper took an early and in-depth interest in California art and artists—giving credence and impetus to his incredibly adept mind and eye—and as testimony to his innate knowledge to what was going on in his own backyard; ultimately with him, becoming its elder statesman and icon.

When you could count on the fingers of one hand Hollywood figures who bought modern art, Hopper completely committed himself across the boards without question to the work of the Pop artists. New; chilling; and as efficient as the electric chair; it was so contemporary hardly anybody could see it. Tony Shafrazi, Modern Art Collector and Gallery Owner

It’s obvious that Dennis Hopper was comfortable in his skin in all 3 worlds that he played such a pronounced impact and influence in—the Cinematic, the artistic, and being the artist.

Hopper’s eye level “found object” form of composition, was, at that time, practically non-existent.

In TASCHEN’s Dennis Hopper Photographs 1961-1967, we’re a witness to the historic preservation and perseverance of Hopper’s tremendous talent and body of work; including many images that hereto had never been published.

Dennis Hopper (1936-2010) was an acclaimed artist, actor, screenwriter, and director who first impressed audiences with his performances in Rebel Without A Cause (1955) and Giant (1956). He changed the face of American cinema with Easy Rider (1969), which he co-wrote, directed, and starred in.

Hopper went on to act in hundreds of memorable films and television shows, including Apocalypse Now (1979), Blue Velvet (1986), Hoosiers (1986), True Romance (1993), Elegy (2008), and the TV series Crash (2008). Hopper began painting as a child and started taking photos in 1961, after his then wife Brooke Hayward gave him a 35mm Nikon camera for his birthday. His paintings and photography have been exhibited all over the world, including the recent retrospective, "Dennis Hopper and the New Hollywood" in Paris. Dennis Hopper tragically and heart-wrenchingly passed away in an inordinate amount of personal suffering on May 29, 2010 in Venice, CA, shortly before the publications of both his signed TASCHEN compilation of the private book edition of his photographs, and shortly before the release of this TASCHEN Trade Edition publication.

Equal parts biography, curriculum vitae and a striking and vast archive of Hopper’s artistic photographs–partly an iconographic narrative–this book of Dennis Hopper’s photographic intimism, instantly infuses the reader into an immediate enthusiast of Hopper’s oeuvre during his exciting heyday as a Hollywood up-and coming enigmatic movie star—as well as a viewer of Hopper’s passionate contribution to California art and his dedication and participation to its art scene–which he gave freely and devoid of self-consciousness of ego but rather his boundless energy-cum-vision as if his life was one giant set-take which Dennis altruistically poured his heart and soul into; borne from his love of art, and his photographs were then shot by him as art for art’s sake.

For most of us—simply put– we call it genius. Hopper had an insatiable lust to carry his camera with him at all times and record everything and everyone that he encountered creating a form and content both avant-garde and as his automatism of the same.

An auto-didactic genius, Hopper’s photographs featured in this dynamic book, are a record of Hopper’s contagious and boundless talent and energy–which he put to movies as well as to his acting career.

His early dedication to both art and his art–and his association with many contemporary artists and art dealers and critics of his time, including—Andy Warhol, Billy Al Bengsten, Marcel Duchamp, Ed Moses, Ed Kienholz, Robert Irwin, Craig Kauffman, Walter Hopps, David Stewart, Roy Lichenstein and Ed Ruscha—are emblematically striking in that we come to understand and appreciate Hopper both as an artist and a free thinking photographer–creating modern art through his photographs that comprise a compositional methodology of his use of both forms and subjects-objects that were incorporating trends far ahead of his time.

His continuous representation of what he saw he immediately photographed.

Interestingly, Dennis Hopper first started taking photographs at the urging of his friend, James Dean. They had met and worked together in 1955 on the movie set of Rebel Without a Cause—Dean was 24 and Dennis, 18, forming a deep teacher-pupil friendship to the set of Giant in the plains of Marfa, Texas. Dennis’ roles in both pictures were small, but his ambitions were as big as the Texas sky. Jimmy Dean’s angelic looks, meteoric talent, a spellbinding method of acting had an undeniable impact on everyone who worked with him. Dennis was quick to recognize the sheer genius and power of this new style of acting—one without preconceived ideas, living in the moment, and performing as a “way of being.” aka “method acting.”

From this—it’s not a huge leap of faith to understand on a deeper level how and why Hopper’s natural photographic genius emerged from this genesis.

Dennis Hopper – A reluctant icon captures a decade of cultural transformation.

During the 1960s, Dennis Hopper carried a camera everywhere—on film sets and locations, at parties, in diners, bars and galleries, driving on freeways and walking on political marches. He photographed movie idols, pop stars, writers, artists, girlfriends, and complete strangers. Along the way he captured some of the most intriguing moments of his generation with a keen and intuitive eye.

A reluctant icon at the epicenter of that decade’s cultural upheaval, Hopper documented the likes of Tina Turner in the studio, Andy Warhol at his first West Coast show, Paul Newman on set, and Martin Luther King during the Civil Rights March from Selma to Montgomery, Alabama.
From a selection of photographs compiled by Hopper and gallerist Tony Shafrazi—more than a third of them previously unpublished—this extensive volume distills the essence of Hopper’s brilliantly prodigious photographic career. Also included are introductory essays by Tony Shafrazi and legendary West Coast art pioneer Walter Hopps, and an extensive biography by journalist Jessica Hundley. With excerpts from Victor Bockris’s interviews of Hopper’s famous subjects, friends, and family

This TASCHEN volume is an unprecedented exploration of the life and mind of one of America’s most fascinating personalities.

Created by artist Gail Cottman, this landscaped garden area is a folk art extravagant environment that’s comprised of outdoor public art pieces that incorporate and use a large amount of objects–especially primary materials which are mostly comprised of irregular pieces of tile, smooth stones, and beads.

Although the Hollywood Garden of Oz is not well known yet–probably because most of the people venturing to this part of the city are– Hollywood Sign bound, the Garden of Oz is one of the most recent additions to the list of Los Angeles Historical-Cultural landmarks, coming in at #996.

Inspired by the Wizard of Oz, Cottman initially had the help of artists Beatrice Woods, Diane and Jim Whitaker, John Raithel, Kaz Suyeshi, and Eli and Kate Yoder. On August 24^th, 1991, it was officially declared a “children’s folk art/peace garden.”

Since this declaration, over 75 artists have been continually involved in its improvements, including Bill Attaway, Sally Speelman, Irene Zdunczyk, Patty Detzler, Julie Hunter Bagish, and Bill Davis.

As far as I know, at this time, there isn’t any sign stating the hours of operation for the Garden of Oz. When I visited, which was on a weekday, the Garden was gated.

Although there is a sign about not taking photos, I felt the Garden of Oz, because of its historical status, deserved to be shared with everyone, especially those people who are unable to physically see it.

So, to that end–here’s a small glimpse of what you’ll find at the Garden of Oz:

They’re located on Santa Monica Boulevard, between Doheny Drive and Almont Drive.

When all is said and done, there will be seven large-scale public art sculptures on display for the general public through June 2012.

(So don’t worry if you cannot attend the official unveiling; you’ll have about another year to stop by West Hollywood to check out this extraordinary urban art display).

This stretch of park median has been home to a previous art installation featuring Peter Shire’s large-scale art works.

For the rest of the article, check out MLAPA.org.

Currently on exhibit through October 2nd, the three part Noguchi exhibit examines the impact Noguchi had in California:

1. California Scenario: The Courage of the Imagination, based on Noguchi’s South Coast Plaza sculpture garden, with the same eponymous name.

2. What is Sculpture? Akari light sculpture from the 1986 Venice Biennale Exhibit , where Noguchi was the U.S. representative.

3. Noguchi at Gemini G.E.L. created in 1982 at Gemini G.E.L. Los Angeles.

Famed Japanese-American, Noguchi was born in Los Angeles in 1904, lived in Japan until age 13, and worked into his eighties, spinning a stunning art path around the world, winning awards and creating milestones in art, design and sculpture in New York, Los Angeles, Japan, China and Mexico.

He created sculpture, furniture, gardens, ceramics, lighting, architecture and set designs which directly intersects among a varied cast of the famous, such as Martha Graham, John Cage and Herman Miller. Noguchi worked and used in stainless steel, marble, cast iron, bronze, balsawood, granite and even water.

The Akari light sculptures are whimsy made real. He insisted they be included in his Venice exhibit even though some questioned if they were fine art. Noguchi called the Akari light sculptures, “nomads, restless wanderers between the world of art and design.” When you see them, I think you might agree. Of note versions of his light sculpture have been in production and available for fifty years.

Noguchi prints framed and unframed are another temptation, available in the museum gift shop. The Laguna Art Museum is at 307 Cliff Drive, open daily from 11 am to 5 pm. Summer hours: Thursdays and Saturdays, open ‘till 9 pm. Admission is $12, Students and seniors, $10, and on the first Thursday of each month, ArtWalk admission is $5 and during the summer, Thursday and Saturday evenings are $5. Children under 12 are free.

Every first Thursday the Laguna ArtWalk allows you entry into the museum for $5, plus treats, music and entertainment, as some 44 galleries open their doors for the stroll. And, a trolley is available when you want to see more, but need a break. Make it a night with dinner and art in Laguna!

Even so, between April and June of 2011, nine additional structures have been added to our expanding list of iconic Historic-Cultural Monuments.

For every building that’s listed, a story of that building’s unique genesis, development & design, architects, materials, or even the artists who participated in its creation, all tell a tale.

On June 1^st, the Historic-Cultural Monuments list passed a milestone:

By adding its 1000^th entry, after nearly a half-century of historic designations through its historic preservation program:

Congratulations, Los Angeles!

Without further ado, here’s the list (PDF):

HCM #994: Arsenberg-Stendahl Home Gallery

This property in the Hollywood Hills was built in 1920 for Lee B. Menefee, and designed by architect William Lee Woollett, who also designed other significant Los Angeles buildings, including Broadway’s Million Dollar Theatre; the two-story residential building is an example of Mediterranean Revival architecture with Mid-Century Modern additions. Purchased in 1927 by major art collectors Walter C. Arensberg and his wife Louis Stevens, the property was sold in 1954 to Earl L Stendahl, who used it as an art gallery. It continues to function as a gallery space today.

HCM #995: 9027 West Alden Drive Apartments

Situated on the northwest corner of Alden and Wetherly Drive near the Beverly Center, this two-story apartment building houses four residential units. Built in 1931, the building is an excellent example of the Spanish Colonial Revival style with its flat red tile roof, hacienda plan, stucco walls, decorative tiles, and wood balconies that accompany its open spindle work.

HCM #996: Garden of Oz

Begun in 1991 in the Hollywoodland area, this landscape garden area created by Gail Cottman is a unique folk art environment comprised of outdoor public art from over 75 local artists.

The property has a decorative wrought-iron front gate and uses a large amount of statuary and found objects. Initially developed to house an expanding rose garden; subsequently the landscape evolved into a tile and sculpture garden inspired by the “Wizard of Oz,” and now functions as a children’s folk art and peace garden.

HCM #997: Clifford E. Clinton Residence

Built in 1928 in Los Feliz, this two-story single family residence exhibits features of the Spanish Colonial Revival style, with multi-level side-gabled roofs covered in red Mission tile, iron grills and a decorative painted door at its front entrance.

Until 1949, the property was owned by Clifford E. Clinton, the owner of the famed Clifton Cafeterias chain and a noted leader in Los Angeles civic reform movements. Clinton led the recall of Mayor Frank Shaw in 1938; during this period, a bomb was placed in the basement of the home, which damaged the kitchen but left Clinton and his family unharmed.

HCM #998: Boettcher House

This two-story single family residence in Los Aneles’West Adams’ Central Arlington Heights neighborhood, and was was built in 1905-1906 as a winter residence for Charles Boettcher, a noted businessman based in Colorado. The property is an example of Craftsman style architecture that was designed using the Radford Architectural Company catalog. Some of its character-defining features include gabled roofs, clapboard siding, wood trim, box beamed interior ceilings and built-in cabinetry.

HCM #999: Marsh Duplex

Located in Hancock Park, this Mediterranean Revival style residential duplex building was built by contractor Edward Goralsky in 1928, for Margarete Mae Marsh.

The property exhibits a high level of sophisticated architectural designs and detailing, including a slightly pitched side-gabled roof covered in red Mission tile and multi-light arched casement windows on its front elevation.

HCM #1000: Golden State Mutual Life Insurance Company Home Office

Built in 1949, this six-story commercial building, located at 1999 W. Adams Boulevard in West Adams, was designed in the Late Moderne style by architect Paul R. Williams (1894-1980).

Williams was the first certified African-American architect west of the Mississippi River, the first African-American member of the American Institute of Architects, and also served on the first Los Angeles Planning Commission in 1920. There are also several murals located inside the building, which were designed to suit the building.

HCM #1001: May Company Garage

The Beaux-Arts style nine-story parking garage and retail building at 9th and Hill Streets in downtown Los Angeles, was built in 1927 and was one of the first of its kind to be constructed in the city at a time when the auto culture was booming. The building included retail stores located along its street frontage, and was designed by Claude Beelman and William Curlett, who were responsible for the designs of several other Historic-Cultural Monuments here, including the Park Plaza Hotel and the Barker Brothers Building.

HCM #1002: Gertrude and Harry Kaye Building/Hannah Schwartz Apartments

Built in 1947, this four-story multi-family residential building is located on Almont Drive and built adjacent to the cities of West Hollywood and Beverly Hills. This property has contains features of the International Style and Streamline Moderne–and was one of the few privately-owned multi-family apartment buildings designed by notable Los Angeles architect Paul R. Williams, the first African-American architect admitted to the American Institute of Architects (AIA).